The Love tune of J. Alfred Prufrock Themes The main themes in "The Love song of J. Alfred Prufrock" are the overwhelming question, the condition of modernity, and also the crisis of mortality.

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The overwhelming question: Prufrock nods to an "overwhelming question" the haunts his thoughts however never explicitly names it.The condition of modernity: Eliot traces the differences in between early modernity, as stood for by Shakespeare"s character Hamlet, and late modernity, as represented by Prufrock. Prufrock"s visibility is displayed to be banal by comparison.The dilemm of mortality: Prufrock feels his very own mortality looming over him. He longs for much more time however cannot say precisely why.
last Updated top top February 25, 2021, through keolistravelservices.com Editorial. Word Count: 377

Although T. S. Eliot is one of the most prominent English-language poet of the 20th century, his work has actually from the start hosted a reputation for gift obtuse, fussily erudite, and even downright bizarre. For all of these qualities, T. S. Eliot’s poetry always explores deep subject terrain. Therefore, readers can grasp “The Love track of J. Alfred Prufrock” by examining the themes explored in the poem, specific the problem of modernity, the tension between mundanity and meaning, and also the dilemm of mortality.

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The “Overwhelming Question”

Perhaps the central thematic and also tonal tension in the city is between the mundane, day-to-day civilization Prufrock inhabits and the internal world in i m sorry his spiritual situation unfolds. The mundane civilization is London, both seedy and also dainty, full of “one-night cheap hotels,” “the soot that drops from chimneys,” and “the cups, the marmalade, the tea.” The internal civilization is wherein Prufrock reflects on his experiences and also considers daring come ask the “overwhelming question” the looms end his thoughts... (Read an ext on The "Overwhelming Question.")

The problem of Modernity

As both a poet and critic, T. S. Eliot investigated Western cultural history. Eliot was particularly interested in modern history, which starts with the Renaissance in the 15th century. From his 20th-century vantage point, Eliot to be of the opinion the Western society is in a state of decrease and as such that early on modernity (the 15th with 18th centuries) surpasses so late modernity (the 18th century onward). “The Love tune of J. Alfred Prufrock” shows Eliot’s see on these social and historical trends... (Read much more on The problem of Modernity.)


The dilemm of Mortality

Prufrock deals with the threat and secret of time. In the poem’s beforehand passages, Prufrock repeats to himself the reassuring refrain, “And certainly there will be time.” however beneath Prufrock’s attempted calm, the understands that time is an antagonist, a pressure that will attract him closer to his ultimate destiny. The menace the mortality first rears the head as soon as Prufrock claims to have actually “Time to turn back and descend the stair, / with a bald point out in the center of mine hair…” The explain is nominally true however essentially false; with his hair thinning, Prufrock go not have actually a an excellent deal that time... (Read much more on The dilemm of Mortality.)


last Updated ~ above February 23, 2021, by keolistravelservices.com Editorial. Native Count: 310

Perhaps the main thematic and tonal stress in the city is in between the mundane, day-to-day world Prufrock inhabits and also the internal human being in which his spiritual situation unfolds. The mundane world is London, both seedy and dainty, full of “one-night cheap hotels,” “the soot that falls from chimneys,” and also “the cups, the marmalade, the tea.” The internal world is wherein Prufrock reflects on his experiences and also considers daring to ask the “overwhelming question” that looms end his thoughts. 

The department between the physical and metaphysical dimensions of Prufrock’s life is far-reaching for number of reasons. The marks Prufrock’s detachment from his surroundings, i m sorry float with his awareness, dreamlike and also disordered, changed as they space by his imagination. The division is important, too, in the means it produces a contrast that accentuates his spiritual angst, such as when Prufrock wonders,

And would it have been precious it, ~ all,After the cups, the marmalade, the tea,Among the porcelain, amongst some talk of you and me,Would it have actually been worth while,To have actually bitten turn off the issue with a smile,To have squeezed the universe into a ballTo role it towards some overwhelming question…

The contrast in between the bric-a-brac that tea and porcelain and the “overwhelming question” produces a keep in mind of comedic lightness if underlining the an essential gravity of Prufrock’s situation. Finally, the gulf in between Prufrock’s inner and also outer worlds creates a difficulty of communication. He finds that “It is impossible to say just what i mean!” offered the strongness of his inner crisis and also the frivolity the the social world approximately him, Prufrock stays trapped in his condition of solitary questioning and yearning. His “overwhelming question” is left unmasked and unasked, and the mundane people rolls onward in its everyday course. This main tension—between meaning and mundanity, between inner and outer experience—is never resolved.


critical Updated on might 8, 2020, through keolistravelservices.com Editorial. Word Count: 393

As both a poet and also critic, T. S. Eliot investigated Western social history. Eliot was particularly interested in modern history, which starts with the Renaissance in the 15th century. Indigenous his 20th-century vantage point, Eliot to be of the opinion that Western society is in a state of decline and because of this that early modernity (the 15th with 18th centuries) surpasses late modernity (the 18th century onward). “The Love track of J. Alfred Prufrock” mirrors Eliot’s views on these cultural and historical trends.

One window into Eliot’s diagnosis of 20th-century Western culture is the explicit comparison J. Alfred Prufrock draws between himself and the eponymous character of Shakespeare’s Hamlet, written 3 centuries earlier. Eliot argues that Prufrock’s feeble, self-conscious, unheroic personality is the product the a superficial modern culture. After all, in his view, 20th-century modernity is a degraded version of the early contemporary era that created Prince Hamlet.

Still, Hamlet and also Prufrock have specific issues in common. Both room indecisive and also struggle to take action, both feel alienated from the people approximately them, and both to express discontent v the capacity of language come “say just what mean.” however Hamlet is an exemplar the grand inner drama that wrestles through life’s huge questions, vice versa, the self-conscious Prufrock is decreased to discussing trivialities such as whether to part his hair in ~ the back. If Prufrock likewise struggles with concerns of greater meaning, he cannot muster the certainty or boldness to also state the questions.

Eliot means that the difference between Hamlet and Prufrock is mainly one of society context. Something has been shed in the three-hundred years in between the two characters. Once he says, “I have actually seen the moment of my greatness flicker,” Prufrock is also speaking as the voice of modernity itself. It’s not just Prufrock however 20th-century modernity that is “cautious, meticulous… a little obtuse.” Hamlet can not decide whether or not to avenge his father’s murder; more broadly, he struggles to discern the worth and also purpose of human life. By comparison, Prufrock can’t decide whether it’s also worth it to ask together questions, nor can he articulate them. Eliot says that later on modernity is one that discourages heroism and the real gravitas that the prince, forcing the contemporary individual come stoop to the superficial “high sentence” and mocking irony that the fool.


last Updated top top February 23, 2021, by keolistravelservices.com Editorial. Indigenous Count: 419

Prufrock faces the risk and mystery of time. In the poem’s beforehand passages, Prufrock repeats to self the reassuring refrain, “And without doubt there will be time.” yet beneath Prufrock’s test calm, he understands that time is one antagonist, a force that will draw him closer to his can be fried destiny. The menace the mortality very first rears the head once Prufrock claims to have “Time come turn earlier and descend the stair, / with a bald clues in the middle of my hair.” The declare is nominally true however essentially false; through his hair thinning, Prufrock go not have actually a an excellent deal the time.

Prufrock at some point confronts time and also mortality as soon as he claims to “have seen the moment of my greatness flicker, / and I have actually seen the eternal Footman hold my coat, and also snicker, / and in short, ns was afraid.” with his illusions no much longer supportable, Prufrock acknowledges the truth: that the “eternal Footman” of death is waiting for him, and also that he is afraid of it.

By the end of the poem, Prufrock appears to have actually nearly taken on the truth of his comes death. He also makes a track of it, turning his mortality right into a refrain—“I flourish old… I thrive old…”—to mirror his prior refrain of denial—“there will certainly be time.” One can argue the the final lines the the poem depict the fulfillment of Prufrock’s unpreventable death:

We have actually lingered in the chambers of the seaBy sea-girls wreathed v seaweed red and brownTill human voices wake us, and we drown.

See more: 3 Examples Of Err To The Side Of Caution, Err On The Side Of Caution

The last image of drowning, however, most most likely occurs in Prufrock’s imagination, as does the sirenic scene that surrounds it. For this reason the secret concerns who, or what, drowns. Whereas many of the city takes the form of a first-person monologue, Prufrock increases the limit of subjecthood to “we” in these last three lines. Eliot—via Prufrock—may be involving readers here, saying that the reading of the city is a dreamlike activity akin to “linger in the chambers of the sea.” 

To come at the finish of the poem is to be woken up and thus to “drown” in the ensuing return come reality. In this light, Prufrock is no the only figure in the city to experience a sort of mortality. The finishing broadens the subject of death to include and implicate readers together well. Also though the city is an individual portrait that Prufrock, everyone have the right to recognize his situation of mortality because everyone is subject to the passage of time. 


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